Publications of the Modern Language Association of America, Band 15;Band 22Modern Language Association of America, 1907 Vols. for 1921-1969 include annual bibliography, called 1921-1955, American bibliography; 1956-1963, Annual bibliography; 1964-1968, MLA international bibliography. |
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Seite 34
... London , 1890 . 7. Willem's van den Vos Reinaerde , cir . 1250 . Reinaert , pp . 10-14 , lines 315-420 . Ernest Martin , Paderborn , 1874 . 8. Gerhard von Minden , 1270 . Die Fabeln Gerhards von Minden , p . 167. Leitzmann , Halle ...
... London , 1890 . 7. Willem's van den Vos Reinaerde , cir . 1250 . Reinaert , pp . 10-14 , lines 315-420 . Ernest Martin , Paderborn , 1874 . 8. Gerhard von Minden , 1270 . Die Fabeln Gerhards von Minden , p . 167. Leitzmann , Halle ...
Seite 53
... London , 1889 . 5. Fables Inédites , A. C. M. Robert , 1 , 146 , Paris , 1825 . 6. Oeuvres de J. de La Fontaine , Henri Regnier , 1 , 175 , Paris , 1883 . 7. A Comparative Study of the Aesopic Fable in Nicole Bozon , P. W. Harry , pp ...
... London , 1889 . 5. Fables Inédites , A. C. M. Robert , 1 , 146 , Paris , 1825 . 6. Oeuvres de J. de La Fontaine , Henri Regnier , 1 , 175 , Paris , 1883 . 7. A Comparative Study of the Aesopic Fable in Nicole Bozon , P. W. Harry , pp ...
Seite 56
... relations between Dryden and Swift place the sincerity of this criticism under suspicion . * Lives of the Poets , ed . Arthur Waugh , London , 1896 ; II , 207 . Saintsbury , in his History of Criticism , ' taking 56 333.
... relations between Dryden and Swift place the sincerity of this criticism under suspicion . * Lives of the Poets , ed . Arthur Waugh , London , 1896 ; II , 207 . Saintsbury , in his History of Criticism , ' taking 56 333.
Seite 57
... to rise almost to the level of 1 Edinburgh and London , 1902 ; п , 371–89 . * Jahrbuch der deutschen Shakespeare - Gesellschaft , vol . IV . the Elizabethans ; on another he falls into a cool JOHN DRYDEN'S LITERARY CRITICISM . 57.
... to rise almost to the level of 1 Edinburgh and London , 1902 ; п , 371–89 . * Jahrbuch der deutschen Shakespeare - Gesellschaft , vol . IV . the Elizabethans ; on another he falls into a cool JOHN DRYDEN'S LITERARY CRITICISM . 57.
Seite 75
... London with his fortune and reputation to make ; a Puritan by birth and early associations , he naturally did all in his power to win esteem in Puritan circles ; after the Restoration he continued his efforts more and more success ...
... London with his fortune and reputation to make ; a Puritan by birth and early associations , he naturally did all in his power to win esteem in Puritan circles ; after the Restoration he continued his efforts more and more success ...
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Seite 209 - 270 f: And Cesar's spirit, ranging for revenge, With Ate by his side come hot from hell Shall in these confines with a monarch's voice Cry ' Havoc !' and let slip the dogs of war ; That this foul deed shall smell above the earth With carrion men, groaning for burial.
Seite 400 - The stars of midnight shall be dear To her ; and she shall lean her ear In many a secret place Where rivulets dance their wayward round, And beauty born of murmuring sound Shall pass into her face.
Seite 71 - had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them, not laboriously, but luckily; when he describes anything, you more than see it, you feel it too.
Seite 216 - In the present play, after the indubitable witches have taken flight, Banquo asks Macbeth, Were such things here as we do speak about ? Or have we eaten on the insane root That takes the reason prisoner ? Likewise, after their second appearance, Macbeth questions, fruitlessly, his lord-in-waiting Lennox. For your subtler dramatist must have a way of distinguishing the natural and the supernatural
Seite 605 - whatever is fitted in any sort to excite the ideas of pain, and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime; that is, it is productive of the strongest emotion which the mind is capable of feeling.
Seite 72 - If I would compare him with Shakespeare, I must acknowledge him the more correct poet, but Shakespeare the greater wit. Shakespeare was the Homer, or father of our dramatic poets; Jonson was the Virgil, the pattern of elaborate writing; I admire him, but I love Shakespeare.
Seite 222 - dad in while robes, wearing on their heads garlands of bays and golden vizards on their faces; branches of bays or palm in their hands. They Jirst congee unto her, then dance; and, at certain changes, the first two hold a spare garland over her head ; at which the other four make
Seite 129 - He must have been a man of most wonderful comprehensive nature, because, as has been truly observed of him, he has taken into the compass of his Canterbury Tales the various manners and humors (as we now call them) of the whole English nation, in his age.
Seite 222 - the same order in their changes, and holding the garland over her head: which done, they deliver the same garland to the last two, who likewise observe the same order : at which, as it were by inspiration, she makes in her sleep signs of rejoicing, and holdeth up her hands to heaven: and so in their dancing vanish, carrying
Seite 611 - In reality poetry and rhetoric \ do not succeed in exact description so well as painting does ; \ their business is to affect rather by sympathy than imitation ; to display rather the effect of things on the mind ' of the speaker, or of others, than to present a clear idea of the things themselves.