The Lives of the Most Eminent British Painters and Sculptors, Band 1Harper, 1846 |
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Seite 18
... face seem the centre of the body , and the nobles escaped out of the courtly boots of the first Edward with the square turned - up toes fastened to the knees by chains of gold . There was every 18 PAINTERS AND SCULPtoks .
... face seem the centre of the body , and the nobles escaped out of the courtly boots of the first Edward with the square turned - up toes fastened to the knees by chains of gold . There was every 18 PAINTERS AND SCULPtoks .
Seite 19
... reproducing the resemblance of that which had preceded him . Those works are the first blind gropings of art after form and colour The faces are without thought , the limbs without proportion EARLY ART IN ENGLAND — EDW . 1. — III . 19.
... reproducing the resemblance of that which had preceded him . Those works are the first blind gropings of art after form and colour The faces are without thought , the limbs without proportion EARLY ART IN ENGLAND — EDW . 1. — III . 19.
Seite 20
Allan Cunningham. The faces are without thought , the limbs without proportion , and the draperies without variety . Among them there is one which merits notice , chiefly , because it is one of the earliest of our at- tempts at ...
Allan Cunningham. The faces are without thought , the limbs without proportion , and the draperies without variety . Among them there is one which merits notice , chiefly , because it is one of the earliest of our at- tempts at ...
Seite 21
... faces from death rather than from life ; still it was something to attempt to follow nature , and showed a spirit willing to be freed from the shackles of imitation , and a desire to escape from the thraldom of the church . At this ...
... faces from death rather than from life ; still it was something to attempt to follow nature , and showed a spirit willing to be freed from the shackles of imitation , and a desire to escape from the thraldom of the church . At this ...
Seite 24
... faces thronged the floor , the silent inhabitants of the walls would seem , in the eyes of our ancestors , something very splendid . As painting rose in fame , tapestry sunk in estima- tion . The introduction of a lighter and less ...
... faces thronged the floor , the silent inhabitants of the walls would seem , in the eyes of our ancestors , something very splendid . As painting rose in fame , tapestry sunk in estima- tion . The introduction of a lighter and less ...
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Academy admiration afterward Allan Ramsay appeared artist beauty Burke character church colouring composition copy Correggio court drawing elegance eminent employed England engraving excellence exhibition fame favourite feeling figures folly fortune friends Gainsborough gallery Garrick genius grace guineas hand happy Harlot's Progress Hogarth honour humour imagination John Gonson Johnson Kate Hackabout kind king Kneller labour ladies landscape Line of Beauty living London look Lord loved manner masters merit mind nature never Nichols noble North Briton Northcote observed obtained painted painter Paul Veronese pencil person poet portrait portrait-painting prints productions purchased racter Rake's Progress Raphael reputation Reynolds Rome royal Rubens satire says scene seems Sigismunda Sir Joshua Sir Richard Grosvenor sketches skill spirit splendour style talents taste Thicknesse thing Thornhill thought tion Titian truth ture Vandyke vanity Walpole Wilkes William Hogarth Wilson wish worthy