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Seite 85
In the later plays of the fifth century the parabasis is no longer necessarily the part of the play in which the poet employs the chorus as a mouthpiece , praising himself and his art , and giving his personal advice to his ...
In the later plays of the fifth century the parabasis is no longer necessarily the part of the play in which the poet employs the chorus as a mouthpiece , praising himself and his art , and giving his personal advice to his ...
Seite 86
13 It is also perhaps worth noting that in tragedy as well as comedy the adoption of embolima was preceded by a general decline in the importance of the chorus , especially visible in the later plays of Euripides .
13 It is also perhaps worth noting that in tragedy as well as comedy the adoption of embolima was preceded by a general decline in the importance of the chorus , especially visible in the later plays of Euripides .
Seite 87
The presentation of Dionysus as a bogus Paris , creating the possibility for comically misrepresented and misunderstood identity , rather reminds one of the Frogs , and the use of a satyr chorus suggests that the humor of this play may ...
The presentation of Dionysus as a bogus Paris , creating the possibility for comically misrepresented and misunderstood identity , rather reminds one of the Frogs , and the use of a satyr chorus suggests that the humor of this play may ...
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