Liverpool Classical Monthly: LCM., Bände 15-16John Pinsent John Pinsent, 1990 |
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Seite 86
... play as well . But in a later context we shall see that the situation regarding the Ecclesiazusae is not so straightforward and that embolima perhaps did not figure in that play . Also , throughout the history of Middle Comedy the role ...
... play as well . But in a later context we shall see that the situation regarding the Ecclesiazusae is not so straightforward and that embolima perhaps did not figure in that play . Also , throughout the history of Middle Comedy the role ...
Seite 93
... play , it is always possible that these two lost fourth century plays went further in the direction of Middle Comedy . According to Platonius the ( Second ) Aeolosicon37 was written as a satire on a tragic Aeolus and lacked choral songs ...
... play , it is always possible that these two lost fourth century plays went further in the direction of Middle Comedy . According to Platonius the ( Second ) Aeolosicon37 was written as a satire on a tragic Aeolus and lacked choral songs ...
Seite 94
... play contained narrative elements that later figured prominently in New Comedy : rape and a recognition scene . Indeed , Clement of Alexandria , Stromateis 6.2.26 , observes that Philemon adopted this play ( presumably by ...
... play contained narrative elements that later figured prominently in New Comedy : rape and a recognition scene . Indeed , Clement of Alexandria , Stromateis 6.2.26 , observes that Philemon adopted this play ( presumably by ...
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