Liverpool Classical Monthly: LCM., Bände 15-16John Pinsent John Pinsent, 1990 |
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Seite 134
... imagery section later , we encounter a striking allusion to another female figure associated both with love and the ocean , Virgil's Scylla , a terrifying composite figure made out of Homer's Scylla ( cf. Odyssey 12. 85-100 and Hesiod ...
... imagery section later , we encounter a striking allusion to another female figure associated both with love and the ocean , Virgil's Scylla , a terrifying composite figure made out of Homer's Scylla ( cf. Odyssey 12. 85-100 and Hesiod ...
Seite 135
... imagery is used with mountain imagery to show the horrors of the world into which the addressee is now plunged . Once again we are taken back to Eclogue 1 where the sea is connected with those historical events that both dwarf and ...
... imagery is used with mountain imagery to show the horrors of the world into which the addressee is now plunged . Once again we are taken back to Eclogue 1 where the sea is connected with those historical events that both dwarf and ...
Seite 136
... imagery derived from the earlier poem of Menalcas ( Eclogue 5.40 ) . All these seem to me to be quite overtly symbolic . But there are other cases in which Virgil appears to have given us the opportunity to take them too in this way ...
... imagery derived from the earlier poem of Menalcas ( Eclogue 5.40 ) . All these seem to me to be quite overtly symbolic . But there are other cases in which Virgil appears to have given us the opportunity to take them too in this way ...
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