Liverpool Classical Monthly: LCM., Bände 15-16John Pinsent John Pinsent, 1990 |
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... contrast makes the hiatus - free description of Flaminius ' more cautious advisers ( ceteris omnibus in consilio salutaria magis quam speciosa suadentibus ) fall upon the ear with an especially solid resonance , in accord with the ...
... contrast makes the hiatus - free description of Flaminius ' more cautious advisers ( ceteris omnibus in consilio salutaria magis quam speciosa suadentibus ) fall upon the ear with an especially solid resonance , in accord with the ...
Seite 136
... contrast to Euripides ' , but the graphic description of the scene with exvσe etc. has put Euripides out of our minds and we are all not thinking about Sophocles in his own right . In sentiment the second occurrence of the pronoun is ...
... contrast to Euripides ' , but the graphic description of the scene with exvσe etc. has put Euripides out of our minds and we are all not thinking about Sophocles in his own right . In sentiment the second occurrence of the pronoun is ...
Seite 136
... contrast elaborated on the basis of this passage at Propertius Elegies 2. 10. 25-26 ( nondum etiam Ascraeos norunt mea carmina fontis | sed modo Parnassi flumine lavit Amor ) , 7 and finally 9. 19-20 , where , questioning whether from ...
... contrast elaborated on the basis of this passage at Propertius Elegies 2. 10. 25-26 ( nondum etiam Ascraeos norunt mea carmina fontis | sed modo Parnassi flumine lavit Amor ) , 7 and finally 9. 19-20 , where , questioning whether from ...
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