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Seite 85
In the later plays of the fifth century the parabasis is no longer necessarily the part of the play in which the poet employs the chorus as a mouthpiece , praising himself and his art , and giving his personal advice to his ...
In the later plays of the fifth century the parabasis is no longer necessarily the part of the play in which the poet employs the chorus as a mouthpiece , praising himself and his art , and giving his personal advice to his ...
Seite 126
dramatic device to manipulate audience response ; or , assuming that the chorus do remain in their persona , that the entire stasimon or at least the words of the final stanza are actually heard by Philoctetes on stage , or sung by the ...
dramatic device to manipulate audience response ; or , assuming that the chorus do remain in their persona , that the entire stasimon or at least the words of the final stanza are actually heard by Philoctetes on stage , or sung by the ...
Seite 127
Any such reference , however , would have drawn attention to the deceit and the chorus ' involvement in it . And Sophocles ' primary aim for the stasimon may have been for it to deepen the feeling of sympathy for Philoctetes through an ...
Any such reference , however , would have drawn attention to the deceit and the chorus ' involvement in it . And Sophocles ' primary aim for the stasimon may have been for it to deepen the feeling of sympathy for Philoctetes through an ...
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