Liverpool Classical Monthly: LCM., Bände 15-16John Pinsent John Pinsent, 1990 |
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Seite 160
LCM. John Pinsent. At the very end of the speech Demosthenes makes explicit the ethos , or rhetorical persona , which this satire has implied , and claims credit for it 51 , cf. 38 ) . He says that he has never spoken just to please his ...
LCM. John Pinsent. At the very end of the speech Demosthenes makes explicit the ethos , or rhetorical persona , which this satire has implied , and claims credit for it 51 , cf. 38 ) . He says that he has never spoken just to please his ...
Seite 38
LCM. John Pinsent. The desire of the people ( expressed in 25f . ) is also Ovid's desire ; and an analogy is presented in 27f . , where the tiny brook is described as flowing into the vast ocean in precisely the same way as do rivers ...
LCM. John Pinsent. The desire of the people ( expressed in 25f . ) is also Ovid's desire ; and an analogy is presented in 27f . , where the tiny brook is described as flowing into the vast ocean in precisely the same way as do rivers ...
Seite 126
LCM. John Pinsent. dramatic device to manipulate audience response ; or , assuming that the chorus do remain in their persona , that the entire stasimon or at least the words of the final stanza are actually heard by Philoctetes on stage ...
LCM. John Pinsent. dramatic device to manipulate audience response ; or , assuming that the chorus do remain in their persona , that the entire stasimon or at least the words of the final stanza are actually heard by Philoctetes on stage ...
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