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Seite 143
The Female Voice in Psychoanalysis and Cinema Bloomington : Indiana University Press , 1988. 257 pp . Carol Flinn At the beginning of The Acoustic Mirror , Kaja Silverman refers to a scene in Possessed ( 1947 ) in which Joan Crawford's ...
The Female Voice in Psychoanalysis and Cinema Bloomington : Indiana University Press , 1988. 257 pp . Carol Flinn At the beginning of The Acoustic Mirror , Kaja Silverman refers to a scene in Possessed ( 1947 ) in which Joan Crawford's ...
Seite 144
Silverman writes with the force and confidence that render delightfully ironic many of the claims she observes have been made on the female voice , and she presents difficult theoretical material clearly and without reductiveness .
Silverman writes with the force and confidence that render delightfully ironic many of the claims she observes have been made on the female voice , and she presents difficult theoretical material clearly and without reductiveness .
Seite 145
This chapter has the appearance of being tacked on , and for as insightful as it is , one grows eager for Silverman to clarify how woman's voice is involved in the various mirrors and projections she describes ( this strikes me as ...
This chapter has the appearance of being tacked on , and for as insightful as it is , one grows eager for Silverman to clarify how woman's voice is involved in the various mirrors and projections she describes ( this strikes me as ...
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Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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