Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 111988 |
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Seite 100
... visual field before our eyes . ' ― 15 II - Madame X , Ottinger's first feature - length film , occupies a central position within the body of her films , for it brings together a strong interest in iconographic tradition with an ...
... visual field before our eyes . ' ― 15 II - Madame X , Ottinger's first feature - length film , occupies a central position within the body of her films , for it brings together a strong interest in iconographic tradition with an ...
Seite 144
... visual counterpart . In a very real sense , Silverman's argument provides the auditory equivalent of Mulvey's remarks on classical cinema's " visual pleasure " since both assert that woman's enunciative power has been withheld from her ...
... visual counterpart . In a very real sense , Silverman's argument provides the auditory equivalent of Mulvey's remarks on classical cinema's " visual pleasure " since both assert that woman's enunciative power has been withheld from her ...
Seite 145
... visual and verbal reflections . This is particu- larly the case in the opening chapter , which is predominantly visual in orientation . This chapter has the appearance of being tacked on , and for as insightful as it is , one grows ...
... visual and verbal reflections . This is particu- larly the case in the opening chapter , which is predominantly visual in orientation . This chapter has the appearance of being tacked on , and for as insightful as it is , one grows ...
Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth