Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 111988 |
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Seite 37
... traditional roles are based . In attempting to deny the body , the modernist produces an “ anti - body " which withdraws from the traditional arena of male privilege , authority , and responsi- bility : Chandos gives up his role as ...
... traditional roles are based . In attempting to deny the body , the modernist produces an “ anti - body " which withdraws from the traditional arena of male privilege , authority , and responsi- bility : Chandos gives up his role as ...
Seite 98
... traditional images of femininity , her body is modeled on the phallic imagery of patriarchy , thus invoking the return of the overpowering phallic mother . She therefore seems to represent the pre - Oedipal mother , the object of desire ...
... traditional images of femininity , her body is modeled on the phallic imagery of patriarchy , thus invoking the return of the overpowering phallic mother . She therefore seems to represent the pre - Oedipal mother , the object of desire ...
Seite 106
... traditional film music , according to Flinn , moves towards a unifying whole , glossing over the lacunae in the ... traditionally addressed to lose itself in the sound track , into the foreground , making it the subject of the film's ...
... traditional film music , according to Flinn , moves towards a unifying whole , glossing over the lacunae in the ... traditionally addressed to lose itself in the sound track , into the foreground , making it the subject of the film's ...
Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produce psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth