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Seite 104
At the same time , the different sounds may be real enough to allow for representations of femininity that remain immune to the sterile utopias of desire . Sound , then , lays down a trace of that impurity , of that disturbance ...
At the same time , the different sounds may be real enough to allow for representations of femininity that remain immune to the sterile utopias of desire . Sound , then , lays down a trace of that impurity , of that disturbance ...
Seite 105
by the marginality of diegetic sound and the controlling pres- ences of a female narrator , the only voice to carry on the claims of language . As a mediator between the predominantly silent rituals of the protagonists and the film's ...
by the marginality of diegetic sound and the controlling pres- ences of a female narrator , the only voice to carry on the claims of language . As a mediator between the predominantly silent rituals of the protagonists and the film's ...
Seite 106
the involuntary yet not arbitrary association of woman and sound has been taken up by feminist theorists , albeit to different ends , for instance by Hélène Cixous in her reading of music / voice as part of a woman's discourse ...
the involuntary yet not arbitrary association of woman and sound has been taken up by feminist theorists , albeit to different ends , for instance by Hélène Cixous in her reading of music / voice as part of a woman's discourse ...
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Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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