Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 111988 |
Im Buch
Ergebnisse 1-3 von 32
Seite 37
... provide a countermyth to the story of Creation , a subversively private and individual strategy for sneaking back ... providing for his family , Bartleby needs to be taken care of by the lawyer even while he undercuts the office ...
... provide a countermyth to the story of Creation , a subversively private and individual strategy for sneaking back ... providing for his family , Bartleby needs to be taken care of by the lawyer even while he undercuts the office ...
Seite 123
... provides an answer . We remember that Freud came finally to the conclusion that the death instinct itself represents a choice that we make , giving us - if not the reality - at least the illusion of mastery . 3 We choose what is ...
... provides an answer . We remember that Freud came finally to the conclusion that the death instinct itself represents a choice that we make , giving us - if not the reality - at least the illusion of mastery . 3 We choose what is ...
Seite 144
... provides the auditory equivalent of Mulvey's remarks on classical cinema's " visual pleasure " since both assert that woman's enunciative power has been withheld from her . Yet Silverman extends this observation into the domain of ...
... provides the auditory equivalent of Mulvey's remarks on classical cinema's " visual pleasure " since both assert that woman's enunciative power has been withheld from her . Yet Silverman extends this observation into the domain of ...
Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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Häufige Begriffe und Wortgruppen
aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth