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( “ Del otro lado , ” Gloria Evangelina Anzaldúa ) A questionable subject - in - process , and a questioning process of subject and history . Working with subject - ivity is an ongoing practice that may be said to be concerned not with ...
( “ Del otro lado , ” Gloria Evangelina Anzaldúa ) A questionable subject - in - process , and a questioning process of subject and history . Working with subject - ivity is an ongoing practice that may be said to be concerned not with ...
Seite 67
Our goal here is to demystify and challenge these practices , to say about the practices what they leave unsaid , and to offer insights that might facilitate ... Furthermore , each practice denies its hierarchical underpinnings .
Our goal here is to demystify and challenge these practices , to say about the practices what they leave unsaid , and to offer insights that might facilitate ... Furthermore , each practice denies its hierarchical underpinnings .
Seite 178
Black cinema practices throughout the world , viewing them as a unified impulse , explaining them in terms of the essence of nomadism ... call for a “ postesthetic ” critical practice in his essay “ We Don't Need Another Hero .
Black cinema practices throughout the world , viewing them as a unified impulse , explaining them in terms of the essence of nomadism ... call for a “ postesthetic ” critical practice in his essay “ We Don't Need Another Hero .
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Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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