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Seite 68
Two , the history of their desire , or their search for a sexual partner becomes a series of masks , or identities that stand for sexual attraction in the culture , thus distancing them from the " play " of seduction as it is outlined ...
Two , the history of their desire , or their search for a sexual partner becomes a series of masks , or identities that stand for sexual attraction in the culture , thus distancing them from the " play " of seduction as it is outlined ...
Seite 72
The play is composed by three actors Deborah Margolin , along with Shaw and Weaver . Margolin , however , does not play within the lesbian dynamics , but represents a Jewish perspective . For further discussions of the work of this ...
The play is composed by three actors Deborah Margolin , along with Shaw and Weaver . Margolin , however , does not play within the lesbian dynamics , but represents a Jewish perspective . For further discussions of the work of this ...
Seite 129
She arranges the flashback episodes chronologically , does not play out each scene fully , and leaves a lot of ambiguity about their temporal and even causal connections . This stylistic treatment enables her viewers to follow the flow ...
She arranges the flashback episodes chronologically , does not play out each scene fully , and leaves a lot of ambiguity about their temporal and even causal connections . This stylistic treatment enables her viewers to follow the flow ...
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Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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