Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 111988 |
Im Buch
Ergebnisse 1-3 von 30
Seite 68
... play " of seduction as it is outlined by social mores . Three , the association with movies makes narrative fiction part of the strategy as well as characters . This final fiction as fiction allows Weaver and Shaw to slip easily from ...
... play " of seduction as it is outlined by social mores . Three , the association with movies makes narrative fiction part of the strategy as well as characters . This final fiction as fiction allows Weaver and Shaw to slip easily from ...
Seite 72
... play . In fact , there is no satisfactory way to separate the spoken text from the action . The play is composed by three actors Deborah Margolin , along with Shaw and Weaver . Margolin , however , does not play within the lesbian ...
... play . In fact , there is no satisfactory way to separate the spoken text from the action . The play is composed by three actors Deborah Margolin , along with Shaw and Weaver . Margolin , however , does not play within the lesbian ...
Seite 129
... play out each scene fully , and leaves a lot of ambiguity about their temporal and even causal connections . This stylistic treatment enables her viewers to follow the flow of Li Chun's consciousness as she recalls her past experiences ...
... play out each scene fully , and leaves a lot of ambiguity about their temporal and even causal connections . This stylistic treatment enables her viewers to follow the flow of Li Chun's consciousness as she recalls her past experiences ...
Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth