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With the help of an army of auxiliary organs that are , however , not just artificial substitutes but also incredible advancements in the performance of natural organs , humankind has not only surpassed the natural limits of its own ...
With the help of an army of auxiliary organs that are , however , not just artificial substitutes but also incredible advancements in the performance of natural organs , humankind has not only surpassed the natural limits of its own ...
Seite 66
She delivers a performance of the feminine masquerade rather than , as Doane suggests , continuing in Riviere's reactive formation of masquerading compensatorily before the male - gaze- inscribed - dominant - cinema - screen .
She delivers a performance of the feminine masquerade rather than , as Doane suggests , continuing in Riviere's reactive formation of masquerading compensatorily before the male - gaze- inscribed - dominant - cinema - screen .
Seite 126
Referring to the performance by Marlene Dietrich in The Blue Angel which self - consciously calls into question the domi- nant iconography of women , Doane observes that by " destabil- izing the image , the masquerade confounds the ...
Referring to the performance by Marlene Dietrich in The Blue Angel which self - consciously calls into question the domi- nant iconography of women , Doane observes that by " destabil- izing the image , the masquerade confounds the ...
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Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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