Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 111988 |
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Seite 102
... parody . In this context , the figure of the pirate provides a striking metaphor for the aesthetic project of Madame X , with the ( femi- nist ) artist as a modern pirate and ( feminist ) film as a post- modern capturing of free ...
... parody . In this context , the figure of the pirate provides a striking metaphor for the aesthetic project of Madame X , with the ( femi- nist ) artist as a modern pirate and ( feminist ) film as a post- modern capturing of free ...
Seite 106
... parody and irony as discursive strategies , the emphasis on surfaces and materiality point towards postmodernism , as Roswitha Mueller has argued in her insightful reading of Ottinger's Picture of Dorian Gray : " Here it seems that the ...
... parody and irony as discursive strategies , the emphasis on surfaces and materiality point towards postmodernism , as Roswitha Mueller has argued in her insightful reading of Ottinger's Picture of Dorian Gray : " Here it seems that the ...
Seite 129
... parody ( although it can certainly contain elements of parody ) as with forging links to one's past selves . Masquerade itself in fact can be regarded as an interme- diate object in the psychoanalytic sense , serving as a bridge to lost ...
... parody ( although it can certainly contain elements of parody ) as with forging links to one's past selves . Masquerade itself in fact can be regarded as an interme- diate object in the psychoanalytic sense , serving as a bridge to lost ...
Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth