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learning a language , and separates from the mother and the " impure " bodily experience that she represents . For these reasons , according to Kristeva , later identifications with the mother are a mixed blessing .
learning a language , and separates from the mother and the " impure " bodily experience that she represents . For these reasons , according to Kristeva , later identifications with the mother are a mixed blessing .
Seite 153
Like the mother , he is at one and the same time victim and threat for the writer . In the course of his carnivalesque voyage to the end of the night , Ferdinand does confront the mother . It is in the confrontation and identification ...
Like the mother , he is at one and the same time victim and threat for the writer . In the course of his carnivalesque voyage to the end of the night , Ferdinand does confront the mother . It is in the confrontation and identification ...
Seite 154
This Janus - faced figure of the mother is disseminated throughout Journey to the End of the Night . On the one hand , there is the prostitute Molly , the woman who gives life , who arouses admiration and affection in Ferdinand .
This Janus - faced figure of the mother is disseminated throughout Journey to the End of the Night . On the one hand , there is the prostitute Molly , the woman who gives life , who arouses admiration and affection in Ferdinand .
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Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 11 |
| Mitwirkende | Project Muse, University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Veröffentlicht | 1988 |
| Original von | University of California |
| Digitalisiert | 18. Apr. 2017 |
| Zitat exportieren | BiBTeX EndNote RefMan |