Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 111988 |
Im Buch
Ergebnisse 1-3 von 46
Seite 95
... identity , is abandoned in favor of more disquieting ones , namely those linked to masquerade until everything is ... identity but in a spiral - like energy wavering between exclusion and inclusion , a choreography of permanent non ...
... identity , is abandoned in favor of more disquieting ones , namely those linked to masquerade until everything is ... identity but in a spiral - like energy wavering between exclusion and inclusion , a choreography of permanent non ...
Seite 12
... identity , " the film engages the viewer in the cinematic body as spectacle , and is structured around five central sequences whose composition relates to film stills from five well - known films , A Married Woman , Pierrot le fou ...
... identity , " the film engages the viewer in the cinematic body as spectacle , and is structured around five central sequences whose composition relates to film stills from five well - known films , A Married Woman , Pierrot le fou ...
Seite 133
... identity at the end of the film . Undoubtedly , the narrative and discourse of the film have actively constructed a surrogate mother among the Dai as linchpin to the success of this Han - Dai encounter . In the body of Ya , the director ...
... identity at the end of the film . Undoubtedly , the narrative and discourse of the film have actively constructed a surrogate mother among the Dai as linchpin to the success of this Han - Dai encounter . In the body of Ya , the director ...
Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produce psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth