Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 111988 |
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Seite 105
... future , of communicating the film to its ( perhaps bewil- dered ) audience . Oscillating between the tone of the storyteller , the anthropologist , and the social / political theorist , the female voice while referring back to Ottinger ...
... future , of communicating the film to its ( perhaps bewil- dered ) audience . Oscillating between the tone of the storyteller , the anthropologist , and the social / political theorist , the female voice while referring back to Ottinger ...
Seite 139
... future ; transitional objects , to project the old , “ within the newness of the present , " into the future ; and intermediate objects , to re - create , momentarily , the past in the present ( 84 ) . Although Kestenberg limits her ...
... future ; transitional objects , to project the old , “ within the newness of the present , " into the future ; and intermediate objects , to re - create , momentarily , the past in the present ( 84 ) . Although Kestenberg limits her ...
Seite 80
... future mutations , which may be more radical still . . . . Far from having come to Africa with colonization , it is highly probable that cultural pluralism was checked and impoverished by its advent , which artificially reduced it to a ...
... future mutations , which may be more radical still . . . . Far from having come to Africa with colonization , it is highly probable that cultural pluralism was checked and impoverished by its advent , which artificially reduced it to a ...
Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth