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Seite 92
The grotesque typicality of each figure is , first of all , signified through costumes , makeup , accessories , and demeanor , thereby mimicking those secondhand icons that have come to represent femininity in today's all - pervasive ...
The grotesque typicality of each figure is , first of all , signified through costumes , makeup , accessories , and demeanor , thereby mimicking those secondhand icons that have come to represent femininity in today's all - pervasive ...
Seite 96
Initially , Ottinger's own expressed interest in Chinese history led her to discover such fascinating figures as the Chinese woman pirate Lai Cho San , who became one of the models for the figure of Madame X. " Beyond such concrete ...
Initially , Ottinger's own expressed interest in Chinese history led her to discover such fascinating figures as the Chinese woman pirate Lai Cho San , who became one of the models for the figure of Madame X. " Beyond such concrete ...
Seite 154
Defining woman as a powerless , impure body , patriarchy produces a figure of woman who simultaneously offers life ( she is the source of the writer's desires ) and who threatens him or her with death ( she represents a life that is ...
Defining woman as a powerless , impure body , patriarchy produces a figure of woman who simultaneously offers life ( she is the source of the writer's desires ) and who threatens him or her with death ( she represents a life that is ...
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Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produce psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth