Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 111988 |
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Ergebnisse 1-3 von 14
Seite 89
... feminism and a new feminist aesthetic . More than ten years later , with the rise of a ubiquitous postmodern appreciation of secondhand images , Madame X has acquired the dubious status of the cult film , thereby becoming the subject of ...
... feminism and a new feminist aesthetic . More than ten years later , with the rise of a ubiquitous postmodern appreciation of secondhand images , Madame X has acquired the dubious status of the cult film , thereby becoming the subject of ...
Seite 101
... feminist aesthetic . It is precisely within such a field of tensions that Madame X initially aroused both enthusiastic praise and polemic rejection , a fact on which Ottinger herself has com- mented laconically : " The film was really ...
... feminist aesthetic . It is precisely within such a field of tensions that Madame X initially aroused both enthusiastic praise and polemic rejection , a fact on which Ottinger herself has com- mented laconically : " The film was really ...
Seite 104
... feminism , the historical avantgarde ( predomi- nantly surrealism and dadaism ) , and postmodernism . If , according to ... feminist aesthetic could be anticipated . Madame X indeed stands out as a noisy film , not loud but undermining ...
... feminism , the historical avantgarde ( predomi- nantly surrealism and dadaism ) , and postmodernism . If , according to ... feminist aesthetic could be anticipated . Madame X indeed stands out as a noisy film , not loud but undermining ...
Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produce psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth