Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 111988 |
Im Buch
Ergebnisse 1-3 von 72
Seite 51
... feminist theory . There is a difference between the critical act and the act of reception . I was able to read the Doisneau joke , without really getting it , due to the historicity of the feminist enterprise . - It is all a question of ...
... feminist theory . There is a difference between the critical act and the act of reception . I was able to read the Doisneau joke , without really getting it , due to the historicity of the feminist enterprise . - It is all a question of ...
Seite 52
... feminist interpretation to the female spectator . Modleski assumes all too quickly that the terms " feminist " and " feminine " are equivalent . The sexual politics of a film is not necessarily a function of the extent to which it ...
... feminist interpretation to the female spectator . Modleski assumes all too quickly that the terms " feminist " and " feminine " are equivalent . The sexual politics of a film is not necessarily a function of the extent to which it ...
Seite 101
... feminist critics and audiences , Madame X , this “ emancipation parable with which many women were incapable or unwilling to identify " , 19 represented a disturbance , even a slap in the face to what seemed to be correct feminist ...
... feminist critics and audiences , Madame X , this “ emancipation parable with which many women were incapable or unwilling to identify " , 19 represented a disturbance , even a slap in the face to what seemed to be correct feminist ...
Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produce psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth