Im Buch
Ergebnisse 1-3 von 72
Seite 52
and identification with ” the female character ( the " weepies " are notorious for precisely this ) but this does not insure the availability of a feminist interpretation to the female spectator . Modleski assumes all too quickly that ...
and identification with ” the female character ( the " weepies " are notorious for precisely this ) but this does not insure the availability of a feminist interpretation to the female spectator . Modleski assumes all too quickly that ...
Seite 57
First , consider the feminist genuflection of the 1980s — the catechism of " working - class - women - of - color " that feminist theorists feel impelled to invoke at the outset of their research . What's wrong with this picture ?
First , consider the feminist genuflection of the 1980s — the catechism of " working - class - women - of - color " that feminist theorists feel impelled to invoke at the outset of their research . What's wrong with this picture ?
Seite 59
This " compulsory ” adaptation of lesbian feminist identification must be understood as a defensive posture , created by the homophobia that operated in the early movement , particularly within the so - called Consciousness - Raising ...
This " compulsory ” adaptation of lesbian feminist identification must be understood as a defensive posture , created by the homophobia that operated in the early movement , particularly within the so - called Consciousness - Raising ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
11 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
analysis anthropology appears attempt authority becomes Black body castration Chinese cinema civilization colonial complete constructed continue course critical cultural death desire difference discourse discussion distance dominant effect essay ethnography ethnology example exist experience expression eyes fact female female body femininity feminist figure film function gender give human identity issue kind knowledge language lesbian living look Madame male masculine masquerade meaning mother narrative nature never non-Han Notes notion object offers organs perhaps person play political position possessed possible postmodern practice present problem produced question reading reality refers relation represent representation role scene sense sexual social society sound space speak structure Studies suggests theory things thought tion traditional turn University voice Western woman women writing York youth