Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 111988 |
Im Buch
Ergebnisse 1-3 von 19
Seite 47
... concept of masquerade . Because its first appearance in psychoanalytic texts specifies it as a reaction - formation ... concepts of masculinity and femininity , there are concepts and identities which have enormous socio - political ...
... concept of masquerade . Because its first appearance in psychoanalytic texts specifies it as a reaction - formation ... concepts of masculinity and femininity , there are concepts and identities which have enormous socio - political ...
Seite 52
... concept of subjectivity must be more broadly understood . As Gertrud Koch maintains : The aesthetically most advanced films resist any facile reading , not only because they operate with complex aesthetic codes but also because they ...
... concept of subjectivity must be more broadly understood . As Gertrud Koch maintains : The aesthetically most advanced films resist any facile reading , not only because they operate with complex aesthetic codes but also because they ...
Seite 155
... concepts of nature and culture that structure her earlier and later writing . In " Stabat Mater " ( 1983 ) , for instance , the concept of nature is at the center of this prose poem on the universal bodily memory of close contact with ...
... concepts of nature and culture that structure her earlier and later writing . In " Stabat Mater " ( 1983 ) , for instance , the concept of nature is at the center of this prose poem on the universal bodily memory of close contact with ...
Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth