Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 111988 |
Im Buch
Ergebnisse 1-3 von 7
Seite 126
... completely romanticized nor completely debased . Just as Doane endorses this version of masquerade , I have been privi- leging , implicitly , the masquerade of defiance over the masque- rade of pathos . But this too I want to call into ...
... completely romanticized nor completely debased . Just as Doane endorses this version of masquerade , I have been privi- leging , implicitly , the masquerade of defiance over the masque- rade of pathos . But this too I want to call into ...
Seite 18
... completely back to its origin , stands the anthropologist . . . . The massive volume of useless knowledge produced by anthropologists attempting to capture real Indians in a network of theories has contributed substantially to the ...
... completely back to its origin , stands the anthropologist . . . . The massive volume of useless knowledge produced by anthropologists attempting to capture real Indians in a network of theories has contributed substantially to the ...
Seite 30
... completely liberates our conceptual space from this ideological and alienating point of view which intends all research on Africa to be for the outside world , the outside world from which it proceeds out of ideological continuity and ...
... completely liberates our conceptual space from this ideological and alienating point of view which intends all research on Africa to be for the outside world , the outside world from which it proceeds out of ideological continuity and ...
Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth