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Seite 34
All we and the characters in the story know about Bartleby is what he appears to be at a single moment ; and because this appearance is defined only in terms of refusal , by what he doesn't want , the effort to explain his enig- matic ...
All we and the characters in the story know about Bartleby is what he appears to be at a single moment ; and because this appearance is defined only in terms of refusal , by what he doesn't want , the effort to explain his enig- matic ...
Seite 68
Three , the association with movies makes narrative fiction part of the strategy as well as characters . ... unbound by through - lines , plot structure , or a stable sense of character because they are fictional at their core in the ...
Three , the association with movies makes narrative fiction part of the strategy as well as characters . ... unbound by through - lines , plot structure , or a stable sense of character because they are fictional at their core in the ...
Seite 76
13 Upon this empirical , or documentary , cornerstone each prac- tice adds elements of psychological realism - involved with the subjectivity of characters - and emotional realism involved with the structures of feeling associated with ...
13 Upon this empirical , or documentary , cornerstone each prac- tice adds elements of psychological realism - involved with the subjectivity of characters - and emotional realism involved with the structures of feeling associated with ...
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Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produce psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth