Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 111988 |
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Seite 8
... beginning I decided on the alcove of the solar plexus and on the chambers of the hands . The hall of the bellies and also the breast- room I carefully avoid . " 4 In the phenomenology of pain , the body becomes the house of illnesses ...
... beginning I decided on the alcove of the solar plexus and on the chambers of the hands . The hall of the bellies and also the breast- room I carefully avoid . " 4 In the phenomenology of pain , the body becomes the house of illnesses ...
Seite 143
... beginning of The Acoustic Mirror , Kaja Silverman refers to a scene in Possessed ( 1947 ) in which Joan Crawford's doctor extracts an account from her of her past , a forced " confession " that Crawford articulates in fits and starts ...
... beginning of The Acoustic Mirror , Kaja Silverman refers to a scene in Possessed ( 1947 ) in which Joan Crawford's doctor extracts an account from her of her past , a forced " confession " that Crawford articulates in fits and starts ...
Seite 67
... Beginning at least as early as Plato with his model of an education that banishes frenzy , passion , and " improper " identificatory models in literature and culminating with Descartes's mind / body split , knowledge becomes master of ...
... Beginning at least as early as Plato with his model of an education that banishes frenzy , passion , and " improper " identificatory models in literature and culminating with Descartes's mind / body split , knowledge becomes master of ...
Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth