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As Gertrud Koch maintains : The aesthetically most advanced films resist any facile . reading , not only because they operate with complex aesthetic codes but also because they anticipate an expanded and radicalized notion of ...
As Gertrud Koch maintains : The aesthetically most advanced films resist any facile . reading , not only because they operate with complex aesthetic codes but also because they anticipate an expanded and radicalized notion of ...
Seite 89
the center of bitter debates about feminism and a new feminist aesthetic . More than ten years later , with the rise of a ubiquitous postmodern appreciation of secondhand images , Madame X has acquired the dubious status of the cult ...
the center of bitter debates about feminism and a new feminist aesthetic . More than ten years later , with the rise of a ubiquitous postmodern appreciation of secondhand images , Madame X has acquired the dubious status of the cult ...
Seite 97
Secondly , Madame X is characterized by a specific homosexual appreciation of the aesthetic , so brilliantly analyzed by Susan Sontag in her essay " Notes on ' Camp . ' " On the level of visual spectacle alone , the film's obligations ...
Secondly , Madame X is characterized by a specific homosexual appreciation of the aesthetic , so brilliantly analyzed by Susan Sontag in her essay " Notes on ' Camp . ' " On the level of visual spectacle alone , the film's obligations ...
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Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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