Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 111988 |
Im Buch
Ergebnisse 1-3 von 41
Seite 155
... Western societies . The confrontation with the Other that Kristeva finds in Céline is , in the end , a joyous identification with woman , as the closing chapter of Powers of Horror reveals . This chapter retrospectively and ...
... Western societies . The confrontation with the Other that Kristeva finds in Céline is , in the end , a joyous identification with woman , as the closing chapter of Powers of Horror reveals . This chapter retrospectively and ...
Seite 30
... Western values . It must correlatively involve getting ideologically beyond the problem of colonialism , i.e. , Western colonialism . Now one is forced to observe that , however fruitful their research may be , no matter how rigorous ...
... Western values . It must correlatively involve getting ideologically beyond the problem of colonialism , i.e. , Western colonialism . Now one is forced to observe that , however fruitful their research may be , no matter how rigorous ...
Seite 178
... Western , hegemonic notions that are superimposed on the critical interpretation of Black , independent films . Or as Mbye B. Cham says so well in his lucid introduction to this anthology , " in contrast to many dominant Western ...
... Western , hegemonic notions that are superimposed on the critical interpretation of Black , independent films . Or as Mbye B. Cham says so well in his lucid introduction to this anthology , " in contrast to many dominant Western ...
Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produce psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth