Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 111988 |
Im Buch
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Seite 53
... Virginia Woolf in Three Guineas ( 56 ) . As long as she is not caught in her own act . As long as she does not forget that the masquerades of femininity and masculinity are not totally unreal or totally a joke but have a social ...
... Virginia Woolf in Three Guineas ( 56 ) . As long as she is not caught in her own act . As long as she does not forget that the masquerades of femininity and masculinity are not totally unreal or totally a joke but have a social ...
Seite 91
... Virginia Woolf's novel Orlando , whose title figure changes his / her sex at the age of thirty . Guided by such self - assured and self - critical gestures towards the traditions both of power and subversion , the film begins with the ...
... Virginia Woolf's novel Orlando , whose title figure changes his / her sex at the age of thirty . Guided by such self - assured and self - critical gestures towards the traditions both of power and subversion , the film begins with the ...
Seite 144
... Virginia Woolf sees : not only is woman obliged to absorb the imperfections and deficiencies of man , but she then must reflect back to him the illusion of his discursive potency at " twice its actual size . ” That Silverman approaches ...
... Virginia Woolf sees : not only is woman obliged to absorb the imperfections and deficiencies of man , but she then must reflect back to him the illusion of his discursive potency at " twice its actual size . ” That Silverman approaches ...
Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth