Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 111988 |
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Seite 107
... Ulrike Ottinger . Costumes : Tabea Blumenschein . Initially the Kuratorium junger deutscher Film had expressed willingness to subsidize Madame X , but then financed Peter Handke's Die linkshändige Frau instead . Ottinger was eventually ...
... Ulrike Ottinger . Costumes : Tabea Blumenschein . Initially the Kuratorium junger deutscher Film had expressed willingness to subsidize Madame X , but then financed Peter Handke's Die linkshändige Frau instead . Ottinger was eventually ...
Seite 108
... Ulrike Ottinger und Tabea Blumenschein , " Die schwarze Botin 6 ( 1979 ) : 22 . 8 The creative potential of Ottinger's and Blumenschein's collab- oration is most evident in Madame X and in their last film , Bildnis einer Trinkerin ...
... Ulrike Ottinger und Tabea Blumenschein , " Die schwarze Botin 6 ( 1979 ) : 22 . 8 The creative potential of Ottinger's and Blumenschein's collab- oration is most evident in Madame X and in their last film , Bildnis einer Trinkerin ...
Seite 109
... Ottinger films , see Miriam Hansen , " Visual Pleasure , Fetishism , and the Problem of Feminine / Feminist Discourse : Ulrike Ottinger's Ticket of No Return , ' " New German Critique 31 ( Winter 1984 ) : 95-108 ; Roswitha Mueller ...
... Ottinger films , see Miriam Hansen , " Visual Pleasure , Fetishism , and the Problem of Feminine / Feminist Discourse : Ulrike Ottinger's Ticket of No Return , ' " New German Critique 31 ( Winter 1984 ) : 95-108 ; Roswitha Mueller ...
Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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