Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 111988 |
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Ergebnisse 1-3 von 10
Seite 121
... Death in Venice and Patrick White's The Eye of the Storm ) . I turn then , briefly to mass culture in America , which seems recently to have " discovered " the aging body with a vengeance . I suspect that most people who read this essay ...
... Death in Venice and Patrick White's The Eye of the Storm ) . I turn then , briefly to mass culture in America , which seems recently to have " discovered " the aging body with a vengeance . I suspect that most people who read this essay ...
Seite 122
... Death in Venice that can be taken as a mise - en - abyme of the narrative . It serves as a warning signal , as a little morality play , as a cautionary tale . It poses the question of the extent to which we may be aware of the spectacle ...
... Death in Venice that can be taken as a mise - en - abyme of the narrative . It serves as a warning signal , as a little morality play , as a cautionary tale . It poses the question of the extent to which we may be aware of the spectacle ...
Seite 123
... Death in Venice takes a dark if not tragic view of the aging body - in - masquerade . The implication in this modernist text is that youth and age the two extremes of the body - cannot coexist simultaneously and in harmony without us ...
... Death in Venice takes a dark if not tragic view of the aging body - in - masquerade . The implication in this modernist text is that youth and age the two extremes of the body - cannot coexist simultaneously and in harmony without us ...
Inhalt
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's political pornography position postmodern problem produced psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society Song of Ceylon speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth