Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 19,Ausgabe 11996 |
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Seite 137
... film of this forgotten Yiddish film director . As Antinov , Antin has inserted herself into the discourse of creative artifact as history . From this vantage point she can re - image an extinct world by creating a fiction and turning it ...
... film of this forgotten Yiddish film director . As Antinov , Antin has inserted herself into the discourse of creative artifact as history . From this vantage point she can re - image an extinct world by creating a fiction and turning it ...
Seite 145
... film becomes a series of doublings that frame the experience of those watching and thinking about the film . This functions like photorealist painting , in which part of the experience is the knowledge that the hand - painted work looks ...
... film becomes a series of doublings that frame the experience of those watching and thinking about the film . This functions like photorealist painting , in which part of the experience is the knowledge that the hand - painted work looks ...
Seite 156
... film uses time to generate its own present / presence . And ours . The film becomes a space for contemplation . The viewer is not hauled into the screen as if it were a time capsule and taken into a new time zone . Rather , there is the ...
... film uses time to generate its own present / presence . And ours . The film becomes a space for contemplation . The viewer is not hauled into the screen as if it were a time capsule and taken into a new time zone . Rather , there is the ...
Inhalt
Secular Jews Preservation and Destruction | 3 |
Jewish Gauchos and Jewish Others or Culture | 15 |
A Family History Recalled | 29 |
Urheberrecht | |
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