Cubism/futurismCharterhouse, 1973 - 234 Seiten |
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Seite 65
... collage , with its prefabricated ingredients and second- hand references , was a natural outcome of the anti - expressionist mood of the artists . Their detachment as artists illuminates the ... collage is non 65 / PAPIERS COLLÉS AND COLLAGE.
... collage , with its prefabricated ingredients and second- hand references , was a natural outcome of the anti - expressionist mood of the artists . Their detachment as artists illuminates the ... collage is non 65 / PAPIERS COLLÉS AND COLLAGE.
Seite 70
... collage altered the aes- thetic economy of Cubism . In the Braque collage discussed above , the self- contained cross - circuiting of objects into forms is accomplished in one homogenous , ongoing fusion . In collage , real object ...
... collage altered the aes- thetic economy of Cubism . In the Braque collage discussed above , the self- contained cross - circuiting of objects into forms is accomplished in one homogenous , ongoing fusion . In collage , real object ...
Seite 75
... collages are far more physically recessive and etherealized counterparts of Braque's and Picasso's . It is an indication of the puzzle - making sensibility at work in his art that ... Collage the A. E. Gallatin Collection . GRIS: The Table.
... collages are far more physically recessive and etherealized counterparts of Braque's and Picasso's . It is an indication of the puzzle - making sensibility at work in his art that ... Collage the A. E. Gallatin Collection . GRIS: The Table.
Inhalt
CUBISM AS A CRITICAL PROBLEM | 3 |
Female Nude | 10 |
CUBISM AND ITS HERITAGE | 14 |
Urheberrecht | |
92 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
abstract aesthetic appear AVANCER avant-garde Balla Bernheim-Jeune Bliss Bequest Boccioni body Braque Braque's Carrà Cézanne Cézanne's collage color conceived contours contrast Cubist Cubist painting cultural Demoiselles d'Avignon dynamic echi elements emotional energy Eric Estorick experience expressive Fauvism force forms French Futurism Futurists Gertrude Stein Giacomo Balla Gianni Mattioli Gris Harlequin human idea images imagined implied impulse Italian Jolie Juan Gris kind L'Estaque landscape Léger Les Demoiselles d'Avignon light literal manifesto Marinetti mass material means ment metaphor Milan Milanese mind mode Modern Art motif motion movement Museum of Modern Neo-Impressionism noises nudes objects Oil on canvas painters Papier collé Paris perception physical Picasso and Braque pictorial picture planes primitive reality representational Russolo scene schematic sculpture seems sensation sense sequence Severini shapes space spectator structure style surface symbolic Synthetic Cubism things tion twentieth-century viewer vision visual volumes Walter Arensberg words York