Cubism/futurismCharterhouse, 1973 - 234 Seiten |
Im Buch
Ergebnisse 1-3 von 24
Seite 133
... Milan from all points . These precincts , as Boccioni no doubt accurately sees them , appear quite drab — a kind of no man's land . Only the fur hat he wears , a memento from a trip to Russia two years earlier , lends an exotic note to ...
... Milan from all points . These precincts , as Boccioni no doubt accurately sees them , appear quite drab — a kind of no man's land . Only the fur hat he wears , a memento from a trip to Russia two years earlier , lends an exotic note to ...
Seite 168
... Milan , 1912. Oil on canvas , 358 " x 20 " . Gianni Mattioli , Milan . 71 / RUSSOLO : The Solidity of Fog , 1912. CARRÀ: The Galleria in Milan.
... Milan , 1912. Oil on canvas , 358 " x 20 " . Gianni Mattioli , Milan . 71 / RUSSOLO : The Solidity of Fog , 1912. CARRÀ: The Galleria in Milan.
Seite 204
... x 19 " . 6.Severini. 88 / BOCCIONI : Dynamism of a Cyclist , 1913. Oil on canvas , 271⁄2 " x 378 " . Gianni Mattioli , Milan . 89 / SEVERINI : Spherical Expansion of Light , 1914. 204 / FUTURISM BOCCIONI: Dynamism of a Cyclist.
... x 19 " . 6.Severini. 88 / BOCCIONI : Dynamism of a Cyclist , 1913. Oil on canvas , 271⁄2 " x 378 " . Gianni Mattioli , Milan . 89 / SEVERINI : Spherical Expansion of Light , 1914. 204 / FUTURISM BOCCIONI: Dynamism of a Cyclist.
Inhalt
CUBISM AS A CRITICAL PROBLEM | 3 |
Female Nude | 10 |
CUBISM AND ITS HERITAGE | 14 |
Urheberrecht | |
92 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
abstract aesthetic appear AVANCER avant-garde Balla Bernheim-Jeune Bliss Bequest Boccioni body Braque Braque's Carrà Cézanne Cézanne's collage color conceived contours contrast Cubist Cubist painting cultural Demoiselles d'Avignon dynamic echi elements emotional energy Eric Estorick experience expressive Fauvism force forms French Futurism Futurists Gertrude Stein Giacomo Balla Gianni Mattioli Gris Harlequin human idea images imagined implied impulse Italian Jolie Juan Gris kind L'Estaque landscape Léger Les Demoiselles d'Avignon light literal manifesto Marinetti mass material means ment metaphor Milan Milanese mind mode Modern Art motif motion movement Museum of Modern Neo-Impressionism noises nudes objects Oil on canvas painters Papier collé Paris perception physical Picasso and Braque pictorial picture planes primitive reality representational Russolo scene schematic sculpture seems sensation sense sequence Severini shapes space spectator structure style surface symbolic Synthetic Cubism things tion twentieth-century viewer vision visual volumes Walter Arensberg words York