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Seite 68
Despite his careful description of the reading situation , Kenner assumes that “ modern society " exists for passive and mimetic reflection . If deconstruction , wary of all forms of referentiality , transposes this reading into its own ...
Despite his careful description of the reading situation , Kenner assumes that “ modern society " exists for passive and mimetic reflection . If deconstruction , wary of all forms of referentiality , transposes this reading into its own ...
Seite 87
The power of the poem's rhetoric , regardless of the reader's investment in homoeroticism , can draw a reading in many directions . A homoerotically oriented reading is one of many interpretive strategies for The Waste Land , working ...
The power of the poem's rhetoric , regardless of the reader's investment in homoeroticism , can draw a reading in many directions . A homoerotically oriented reading is one of many interpretive strategies for The Waste Land , working ...
Seite 139
... readers by that cover image was to identify with Cindy Crawford in desiring the masculinized chanteuse " ( 12 ) . ... obviously aligned audience of lesbians could be reduced to an unequivocally positive , though diverse , reading .
... readers by that cover image was to identify with Cindy Crawford in desiring the masculinized chanteuse " ( 12 ) . ... obviously aligned audience of lesbians could be reduced to an unequivocally positive , though diverse , reading .
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Inhalt
Interview with Kaja Silverman | 3 |
Empire of the Closet | 67 |
They can imagine anything they want | 122 |
Urheberrecht | |
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