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Seite 68
Although Kenner's drama of discovery is apt for The Waste Land , he fails to explore how Eliot's poetic form functions politically ... beyond the poet's vaunted skill , implies nothing about how the poem shapes its referential context .
Although Kenner's drama of discovery is apt for The Waste Land , he fails to explore how Eliot's poetic form functions politically ... beyond the poet's vaunted skill , implies nothing about how the poem shapes its referential context .
Seite 72
The poem teaches us a protocol and a lesson about reading . Unfortunately , part of the lesson is a militant regimen of the closet , an accessory in the assault of what Eve Kosofsky Sedgwick terms “ an implicit , trans - individual ...
The poem teaches us a protocol and a lesson about reading . Unfortunately , part of the lesson is a militant regimen of the closet , an accessory in the assault of what Eve Kosofsky Sedgwick terms “ an implicit , trans - individual ...
Seite 83
The poem's disjunct arrangement makes its reader sense a tearing asunder of the mind's understanding ; the unsettling play of disclosure , foreclosure , and enclosure is purposive . As Kenner shows , Eliot sets his reader on a quest to ...
The poem's disjunct arrangement makes its reader sense a tearing asunder of the mind's understanding ; the unsettling play of disclosure , foreclosure , and enclosure is purposive . As Kenner shows , Eliot sets his reader on a quest to ...
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Inhalt
Interview with Kaja Silverman | 3 |
Empire of the Closet | 67 |
They can imagine anything they want | 122 |
Urheberrecht | |
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