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Seite 52
If early stages of human identityformation are image - bound , gaze - mediated , and predicated on an act of projection / recognition of self vis - à - vis images , then later encounters with iconic visual representations , whether ...
If early stages of human identityformation are image - bound , gaze - mediated , and predicated on an act of projection / recognition of self vis - à - vis images , then later encounters with iconic visual representations , whether ...
Seite 60
tion of human subjects within language and culture , is potentially far - reaching . It points to the deep impact that image - dominated signifying systems have on specific characteristics of human subjectivities .
tion of human subjects within language and culture , is potentially far - reaching . It points to the deep impact that image - dominated signifying systems have on specific characteristics of human subjectivities .
Seite 61
20 The importance of Lacan's theories to these issues is that they shake up the belief that human subjectivities have ... To paraphrase Lacan , the subject is not wrong to identify with his or her consciousness , nor to identify humans ...
20 The importance of Lacan's theories to these issues is that they shake up the belief that human subjectivities have ... To paraphrase Lacan , the subject is not wrong to identify with his or her consciousness , nor to identify humans ...
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Inhalt
Interview with Kaja Silverman | 3 |
Empire of the Closet | 67 |
They can imagine anything they want | 122 |
Urheberrecht | |
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AIDS anorexia appears argued argument associations become body British called cinema claim closet concept context continue critics cultural studies death demands desire discourse discussion Eliot empire essay experience fact fantasy female figures film Four French function gaze gender Giacometti hand heterosexual homoerotic homophobic homosexual human ideal identification identity images individual interest interpretation issue Lacan lesbian light living look male masculine meaning Michigan Miller mirror nature never notion object original painting Paris perhaps perspective photography play pleasure poem political popular position possible present produced question reader reading relation represent representation role sacred Saint scene screen sculpture seems sense sexuality social society space specific suggest television theory Tiresias tradition Trans transgressive understanding University viewer visible visual Waste Land woman women writing York