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Seite 52
It also has an exemplary function , because it reveals some of the subject's relations to his image , in so far as it is the Urbild of the ego . ( Lacan , “ The Topic ” 74 ) We can thus postulate that visual images work in constituting ...
It also has an exemplary function , because it reveals some of the subject's relations to his image , in so far as it is the Urbild of the ego . ( Lacan , “ The Topic ” 74 ) We can thus postulate that visual images work in constituting ...
Seite 53
Lacan implies that pictures function for adult humans in much the same way as mirrors do for infants . In both cases , what takes place is an encounter with one's own mapped positionality vis - à - vis a representation screen and an ...
Lacan implies that pictures function for adult humans in much the same way as mirrors do for infants . In both cases , what takes place is an encounter with one's own mapped positionality vis - à - vis a representation screen and an ...
Seite 70
While it is important to read the closet with reference to its homosexual denotation , the closet , as a discursive formation , does not function invariably within the realm of homosexual secrecy . As a structure of containment , it has ...
While it is important to read the closet with reference to its homosexual denotation , the closet , as a discursive formation , does not function invariably within the realm of homosexual secrecy . As a structure of containment , it has ...
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Inhalt
Interview with Kaja Silverman | 3 |
Empire of the Closet | 67 |
They can imagine anything they want | 122 |
Urheberrecht | |
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AIDS anorexia appears argued argument associations become body British called cinema claim closet concept context continue critics cultural studies death demands desire discourse discussion Eliot empire essay experience fact fantasy female figures film Four French function gaze gender Giacometti hand heterosexual homoerotic homophobic homosexual human ideal identification identity images individual interest interpretation issue Lacan lesbian light living look male masculine meaning Michigan Miller mirror nature never notion object original painting Paris perhaps perspective photography play pleasure poem political popular position possible present produced question reader reading relation represent representation role sacred Saint scene screen sculpture seems sense sexuality social society space specific suggest television theory Tiresias tradition Trans transgressive understanding University viewer visible visual Waste Land woman women writing York