eighteenth century english literature |
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When writing satire the eighteenth - century poet chose his words as freely as any poet . And the same is true when he was writing several of the other kinds . But when writing epic , pastoral , and georgic the eighteenth - century poet ...
When writing satire the eighteenth - century poet chose his words as freely as any poet . And the same is true when he was writing several of the other kinds . But when writing epic , pastoral , and georgic the eighteenth - century poet ...
Seite 224
Writing for Augustus and Maecenas , and being himself a poet naturally prone to grandeur rather than to simplicity , Virgil did not always feel that he could write straight ahead as if he were writing merely for farmers .
Writing for Augustus and Maecenas , and being himself a poet naturally prone to grandeur rather than to simplicity , Virgil did not always feel that he could write straight ahead as if he were writing merely for farmers .
Seite 316
From here we move through the graveyard poets , the Gothic - horror novelists and the writers of tragic ballads to such ... and is expressed in some of its best realized writing : in Burns's To a Mouse , in Cowper's exquisite snail poem ...
From here we move through the graveyard poets , the Gothic - horror novelists and the writers of tragic ballads to such ... and is expressed in some of its best realized writing : in Burns's To a Mouse , in Cowper's exquisite snail poem ...
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Inhalt
THE ESSAY ON CRITICISM | 42 |
POPE SEEN THROUGH HIS LETTERS | 62 |
THE CONCISENESS OF SWIFT | 84 |
Urheberrecht | |
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Addison appear beauty become called character common concerned course criticism Crusoe diction economic effect eighteenth century England English Essay evil example existence experience expression eyes fact feel Fielding friends give hand heart human idea imagination important individual interest Johnson kind King labour later least less letters light lines literary literature Lives London look manner matter means metaphor mind moral nature never object observe once original passage passions perfect perhaps philosophy pleasure poem poetic poetry poets political Pope Pope's possible present principle produce reader reason remark satire seems sense social society spirit style sublime Swift theory things thought tion tradition true turn universal whole writing written wrote
Bibliografische Informationen
| Titel | eighteenth century english literature |
| Autor/in | james l. clifford |
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