eighteenth century english literature |
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5 The nineteenth century tended to re - aline the terms in an antithesis , ' poetry or statement , ' and rested its case by denying Pope a poet's name : ' Dryden and Pope are not classics of our poetry , they are classics of our prose .
5 The nineteenth century tended to re - aline the terms in an antithesis , ' poetry or statement , ' and rested its case by denying Pope a poet's name : ' Dryden and Pope are not classics of our poetry , they are classics of our prose .
Seite 39
Certainly two of the finest puns in any poetry are those with which he continues to exploit this tension at the very end of the poem , when Dulness finally yawns and Nature nods . The purpose of this essay has been to supply a few ...
Certainly two of the finest puns in any poetry are those with which he continues to exploit this tension at the very end of the poem , when Dulness finally yawns and Nature nods . The purpose of this essay has been to supply a few ...
Seite 213
The generalizations made below will apply in various degrees to the poets of the two centuries and also to poets of the ... It is generally true that the vocabulary of nineteenth - century poetry is restricted only in so far as the ...
The generalizations made below will apply in various degrees to the poets of the two centuries and also to poets of the ... It is generally true that the vocabulary of nineteenth - century poetry is restricted only in so far as the ...
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Inhalt
THE ESSAY ON CRITICISM | 42 |
POPE SEEN THROUGH HIS LETTERS | 62 |
THE CONCISENESS OF SWIFT | 84 |
Urheberrecht | |
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Addison appear beauty become called character common concerned course criticism Crusoe diction economic effect eighteenth century England English Essay evil example existence experience expression eyes fact feel Fielding friends give hand heart human idea imagination important individual interest Johnson kind King labour later least less letters light lines literary literature Lives London look manner matter means metaphor mind moral nature never object observe once original passage passions perfect perhaps philosophy pleasure poem poetic poetry poets political Pope Pope's possible present principle produce reader reason remark satire seems sense social society spirit style sublime Swift theory things thought tion tradition true turn universal whole writing written wrote