eighteenth century english literature |
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Seite 22
We regard imagery to - day , especially metaphor , as the most essential of the means by which language achieves poetic character , whether we choose to designate this character in its totality as ' iconic , ' ' alogical , ' ' opaque ...
We regard imagery to - day , especially metaphor , as the most essential of the means by which language achieves poetic character , whether we choose to designate this character in its totality as ' iconic , ' ' alogical , ' ' opaque ...
Seite 37
This flexibility of the mock - heroic metaphor is seen in its greatest perfection in the Dunciad . There are , indeed , three thicknesses of metaphor in this poem : an overall metaphor , in which the poem as a whole serves as vehicle ...
This flexibility of the mock - heroic metaphor is seen in its greatest perfection in the Dunciad . There are , indeed , three thicknesses of metaphor in this poem : an overall metaphor , in which the poem as a whole serves as vehicle ...
Seite 317
The basis of poetic language is the metaphor , and the metaphor , in its radical form , is a statement of identity : ' this is that . ' In all our ordinary experience the metaphor is non - literal : nobody but a savage or a lunatic can ...
The basis of poetic language is the metaphor , and the metaphor , in its radical form , is a statement of identity : ' this is that . ' In all our ordinary experience the metaphor is non - literal : nobody but a savage or a lunatic can ...
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Inhalt
THE ESSAY ON CRITICISM | 42 |
POPE SEEN THROUGH HIS LETTERS | 62 |
THE CONCISENESS OF SWIFT | 84 |
Urheberrecht | |
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Addison appear beauty become called character common concerned course criticism Crusoe diction economic effect eighteenth century England English Essay evil example existence experience expression eyes fact feel Fielding friends give hand heart human idea imagination important individual interest Johnson kind King labour later least less letters light lines literary literature Lives London look manner matter means metaphor mind moral nature never object observe once original passage passions perfect perhaps philosophy pleasure poem poetic poetry poets political Pope Pope's possible present principle produce reader reason remark satire seems sense social society spirit style sublime Swift theory things thought tion tradition true turn universal whole writing written wrote