eighteenth century english literature |
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Seite 183
If I may cite my own experience I have never known him rhetorical . His danger is of quite another kind . He may strain after epigram . He likes a sparkling style . If when you are rhetorical you run the risk of filling the ear more ...
If I may cite my own experience I have never known him rhetorical . His danger is of quite another kind . He may strain after epigram . He likes a sparkling style . If when you are rhetorical you run the risk of filling the ear more ...
Seite 217
Nineteenth - century poets have a strong sense of the individual quality of each moment of experience . Late in their day , the ' Epilogue ' to Pater's Renaissance enunciated this part of their creed with exquisite finality .
Nineteenth - century poets have a strong sense of the individual quality of each moment of experience . Late in their day , the ' Epilogue ' to Pater's Renaissance enunciated this part of their creed with exquisite finality .
Seite 218
The glad creation provides them with many instances of individual beauty , but they differ from the nineteenth - century poets in being impressed only up to a point . They seldom present a white mind to experience .
The glad creation provides them with many instances of individual beauty , but they differ from the nineteenth - century poets in being impressed only up to a point . They seldom present a white mind to experience .
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Inhalt
THE ESSAY ON CRITICISM | 42 |
POPE SEEN THROUGH HIS LETTERS | 62 |
THE CONCISENESS OF SWIFT | 84 |
Urheberrecht | |
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Addison appear beauty become called character common concerned course criticism Crusoe diction economic effect eighteenth century England English Essay evil example existence experience expression eyes fact feel Fielding friends give hand heart human idea imagination important individual interest Johnson kind King labour later least less letters light lines literary literature Lives London look manner matter means metaphor mind moral nature never object observe once original passage passions perfect perhaps philosophy pleasure poem poetic poetry poets political Pope Pope's possible present principle produce reader reason remark satire seems sense social society spirit style sublime Swift theory things thought tion tradition true turn universal whole writing written wrote