Feelings are Always Local
Interactive art organizes itself as an open system: it preserves its coherence by exchanging matter, energy, and information with the environment. In that manner, interactive art is art whose state of rest must be disturbed before it can become art at all. Yet, it is precisely this instability makes it ever more complex. "Feelings are Always Local" is published on the occasion of "DEAF04," the Dutch Electronic Arts Festival, which focuses on interactivity as open system and interactivity in open systems. It features projects with a social and political slant, as well as projects that have a technological or biological character. Also included are essays, interviews and projects by "DEAF04" international theorists and artists.
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
active Africa Alexei Shulgin amnesia amygdala animals armed groups artists Bar Bot become biological black box body brain brown boxes Chris Cunningham Christa Sommerer Christopher Kelty cichlids cinema Civilization IV collaboration communication complex consolidated countries create cultural David Rokeby Descartes emergence example exist experience fact film fish free software global gravity hippocampus human illegal economy images infrastructure of science installation interaction Internet Islamic kind Lake Victoria Lamettrie live Locative Media long-term memory machines Mega-Cities Membrane million minorities Mobile Feelings mouthbrooding movement Muslims neurons Nile perch open source open system organizations Pentecostalism percent political population poverty produced protein protocol reactivated reconsolidation robots science studies scientific scientists Sikhs Slow Scan Television Slums smuggling social society soul space speciation species structure technical terror terrorist theory things Third World tion University Unmovie urban