Illinois Studies in Language and Literature, Band 39University of Illinois under the auspices of the Graduate School, 1934 |
Inhalt
Chapter One THE CLASSICAL BACKGROUND OF TRAGICOMEDY | 1 |
Chapter Two CONTRIBUTION OF THE CHRISTIAN TERENCE TO TRAGICOMEDY | 16 |
Chapter Three GIRALDI CINTHIOS CONTRIBUTION TO TRAGICOMEDY | 63 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Acolastus Alexandre Hardy Amarilli Aminta Amphitryon ancient Antivalomeni appears argument Aristotle Arrenopia Astatio audience Bradamante brother called catastrophe characters chorus Christian Terence Chryséide Cinthian Cinthio classical comic Corisca Cresfonte Cymbeline daughter dead death dialogue disguise Donatus dramatists drame libre duke English tragicomedy epitasis Epitia Euripides father Fletcher French tragicomedy Guarini Hadriana happy ending hero heroine Hipolipso honor husband introduced Italian Italian tragedy Joseph killed king lament last act last scene Laure lieto fin lovers Macropedius main action marry Merope messenger Mirtillo moral named neoclassical noble nymphs oracle Orbecche Pastor fido pastoral tragicomedy Philene Plautus play playwrights plot poet Poetics Polifonte Polixène Potiphar prince princess prison Procris prologue protasis punishment queen romantic romantic love sacred dramas satyric satyric play Schonaeus Senecan Senecan tragedy servant Shakespeare shepherdess shepherds Silvio sixteenth century soliloquy Sophocles story style Susanna Telefonte Terentian theory tragedia di lieto tragic tragicomic unhappy villain wife young