Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 71
... visual as an insistent sign of identity . Viewers are tensionally pinned between the film's visual insistence on Clay's skin and its conceptual refusal to remark this particular difference . [ See Figure 1 ] ------ Suture consequently ...
... visual as an insistent sign of identity . Viewers are tensionally pinned between the film's visual insistence on Clay's skin and its conceptual refusal to remark this particular difference . [ See Figure 1 ] ------ Suture consequently ...
Seite 13
... visual . But “ visual ” is a large and amor- phous category , which would seem to require further qualification . This sequence provides the necessary refinement . It suggests that the body which we turn toward the world of the Other is ...
... visual . But “ visual ” is a large and amor- phous category , which would seem to require further qualification . This sequence provides the necessary refinement . It suggests that the body which we turn toward the world of the Other is ...
Seite 44
... visual produc- tion as a whole , but as Anna's rejection of the illusions about visual mastery which have plagued her , and for which the photographic camera has served as a metaphor throughout the film . Notes I am grateful to Kaja ...
... visual produc- tion as a whole , but as Anna's rejection of the illusions about visual mastery which have plagued her , and for which the photographic camera has served as a metaphor throughout the film . Notes I am grateful to Kaja ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York