Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 71
... visual as an insistent sign of identity . Viewers are tensionally pinned between the film's visual insistence on Clay's skin and its conceptual refusal to remark this particular difference . [ See Figure 1 ] Suture consequently takes ...
... visual as an insistent sign of identity . Viewers are tensionally pinned between the film's visual insistence on Clay's skin and its conceptual refusal to remark this particular difference . [ See Figure 1 ] Suture consequently takes ...
Seite 13
... visual . But “ visual ” is a large and amor- phous category , which would seem to require further qualification . This sequence provides the necessary refinement . It suggests that the body which we turn toward the world of the Other is ...
... visual . But “ visual ” is a large and amor- phous category , which would seem to require further qualification . This sequence provides the necessary refinement . It suggests that the body which we turn toward the world of the Other is ...
Seite 44
... visual produc- tion as a whole , but as Anna's rejection of the illusions about visual mastery which have plagued her , and for which the photographic camera has served as a metaphor throughout the film . Notes I am grateful to Kaja ...
... visual produc- tion as a whole , but as Anna's rejection of the illusions about visual mastery which have plagued her , and for which the photographic camera has served as a metaphor throughout the film . Notes I am grateful to Kaja ...
Inhalt
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Problems for a Colorblind | 70 |
Urheberrecht | |
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action AIDS American appear artists becomes beginning body Brawley Brawley's called camera century cinema claims Clay colonial Commandment concept continues critical Cuban cultural desire discourse discussion dream effect English essay example experience Export fact female figure film Guillén hand host Hughes human idea identity immigrant issues Jewish kind King Kong language Latin literature living look means memory Michigan movement narrative notes object once original parasite past performance photographic political position possible postcolonial Practice present Press production provides question race racial reason relation relationship represent representation scene Second seems seen sense sequence sexual shot side social space Spanish story Studies suggests suture theory things thought tion touch translation turn understand University visual voice woman writes York