Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgabe 22Indiana University Press, 2000 |
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Seite 23
... Visible World . 5 See my Threshold of the Visible World , Chapters 4 and 6 . 6 See Henri Wallon and Paul Schilder . For a commentary upon the postural model of the body , see Elizabeth Grosz , Volatile Bodies 67–85 , and my Threshold of ...
... Visible World . 5 See my Threshold of the Visible World , Chapters 4 and 6 . 6 See Henri Wallon and Paul Schilder . For a commentary upon the postural model of the body , see Elizabeth Grosz , Volatile Bodies 67–85 , and my Threshold of ...
Seite 26
... visible world , the shot from Invisible Adversaries seems to provide a kind of antidote , dramatizing an expansion of the field of vision into unpredictable spheres . But the expansion of the visual field in Export's film does not ...
... visible world , the shot from Invisible Adversaries seems to provide a kind of antidote , dramatizing an expansion of the field of vision into unpredictable spheres . But the expansion of the visual field in Export's film does not ...
Seite 38
... visible world , and no way to disown permanently those visual representations which cease to delight , regardless of how emphatically we believe we have surmounted them , and regardless of how tirelessly we endeavor to discard them ...
... visible world , and no way to disown permanently those visual representations which cease to delight , regardless of how emphatically we believe we have surmounted them , and regardless of how tirelessly we endeavor to discard them ...
Inhalt
COURSE | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Urheberrecht | |
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African African American Afro-Cuban AIDS American Studies Anna Anna's artists becomes Black Atlantic body Brawley's camera century Clay colonial critical Cuba Cuban Descartes discourse dream English epistemology essay expanded cinema female feminist film film's Freud global Greg Louganis Guillén História Holocaust horror film host Hughes Hyksos identity immigrant Invasion Invisible Adversaries Jewish art Jews Judith Kaja Silverman King Kong Kol Nidre Langston Hughes language Latin American Lingis literature Louganis Louganis's Martí melancholy metaphor modern montage movement Mueller narrative nation Negro Nicolás Guillén Nidre object paranoia parasite Pelechian performance photographic poem political Portuguese postcolonial Practice of Love question race racial racism Raimundo relation representation Romero Roswitha scene Schoedsack Second Commandment sense sequence sexual shot social space Spanish story suggests suture Syntagma Tawana Brawley television theory tion Touch Cinema Trans translation Valie Export visual Wayne State University woman writes York